AI Elevation Rendering
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Elevation drawings only
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A street photo belongs on exterior. This page needs the elevation.
Face
Material
Depth
Elevation reading
Materials
What the elevation must keep
Keep the linework
Roof, base, and openings stay the sizes in the drawing
Keep the floor heights
Sills, heads, and story lines stay on their floors
Keep it frontal
The view stays an elevation and does not become a perspective
Elevation
Elevation
The input is an elevation: orthographic linework, not a street photo taken at an angle. The output is that same elevation with materials and depth you can read. Proportions and floor heights stay. A window in the drawing stays a window of that width, on that floor.
Flat drawing in. Rendered elevation out. Same floor lines.
The outline, the floor lines, the frontal view, brick, board, the openings, and the roof each need a picture. Drop a file into the matching slot and the block fills.
Roof, base, and openings come from the drawing.
Each story keeps the height that was drawn.
Shade adds depth without becoming a perspective.
Masonry sits on faces that were already drawn.
The side stays an elevation.
A window that was not drawn is still absent.
The pitch in the drawing is the pitch in the render.
Linework
Roof slope, window heads, door heads, and the base of the wall come from the drawing. Rendering can show brick, wood, or glass thickness so the lines gain depth. It does not nudge a bay to make the facade more symmetrical than you drew it.
Floor heights
A two-story elevation keeps two stories. The distance from floor to floor in the drawing is the distance in the rendering. A tall living room you drew as tall stays tall. Material does not swallow a floor line to look more photographic.
Still an elevation
Shade at a recess, a sill, and a material joint help the drawing read. The view stays frontal. A corner that was not in the elevation does not swing into frame. If you need a street photograph, that is a different page.
The profile you drew — roof, base, openings — is the profile that gets rendered.
Width and height relationships stay. The facade is not restretched to look grander.
Story lines, sills, and heads stay on the floors you assigned.
Brick, board, plaster, or metal are applied to faces that already exist in the drawing.
The result stays an elevation. It does not become a three-quarter photo.
Every window and door in the linework is still there, at the same size.
A flat drawing of one face, with floor lines or enough heads and sills to read the stories.
Which face is masonry, which is board, which openings are glass. Proportions and floor heights are not materials.
Heads and floors should still align with the drawing. If a story line moved, this pass failed.
A section, a roof study, a street exterior, or a drafted sheet. Each one starts from a different document.
The face
Elevation rendering takes an elevation drawing, or a flat facade photograph, and makes materials and depth readable. Linework, proportions, and floor heights stay. It does not design a new front. Facade design does that. This page polishes the drawing you already accept.
Floor heights are the test. A rendered shadow that makes the second floor taller has failed. Window heads should still align if they aligned in the drawing. Entourage, if any, must not hide the door.
A photograph of a real facade that you want to repaint belongs on the paint visualizer. A sketch of a facade you are still inventing belongs on facade design. Bring this page a drawing you would be willing to dimension.
Sill, head, and floor lines survive the rendering. If they drift, reject the still.
Brick, board, or plaster should be recognizable at the scale of the sheet, not only as a color.
A recess reads as a recess. It does not become a bay window.
This is still an elevation: one face, no perspective that shows the side you did not draw.
The links below are the neighboring jobs. Each one keeps a promise this page does not make.
Facade design changes the front. Render only after that decision is made.
Section cuts through the building so inside and outside read together.
Drawing export puts the elevation on a drafted sheet. The render is the picture. The export is the page.
A rendered elevation that still matches the drawing’s lines and floor heights.
No. Floor heights in the drawing stay. Materials and shade sit on those lines.
A truly flat, head-on photo can stand in for linework if the proportions are clear. An angled street photo is not an elevation.
No. It stays a rendered elevation: frontal, with the linework’s proportions.
Yes. Name them by story or by the face in the drawing. The floor line between them stays where you drew it.
It stays missing. This page does not design a new opening. It renders the openings that are already there.
Yes. The slope in the elevation is part of the linework. Change it on the roof page, then render the revised drawing.
Only if the frame includes the story lines and the openings. A crop that hides a floor line will let that story drift.
Linework, proportions, and floor heights are the part that must survive. Name the materials you want to see on them.