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A measured sheet belongs on floor plan. An elevation belongs on elevation rendering.
Render Style
Additional Information (Optional)
What the still must keep
Keep the camera
Height, corner, and direction stay with the source
Keep the geometry
Wall angles, openings, and masses stay drawn
Presentation still
Presentation still
Keep the camera. Polish the still.
The source can be a flat phone photo or a rough interior sketch. Wall angles, camera height, and the masses you already drew stay. The still is for showing that view, not for inventing a better plan.
Source: gray phone photo, or pencil walls
Still: the same corner, presentable
Locked: camera height and wall angles
The phone photo, the pencil corner, the camera, the wall angles, the openings, the furniture masses, and a second finish of the same frame each need a picture. Drop a file into the matching slot and the block fills.
The source can be gray and unstyled. The still is that same corner.
A few lines of walls and a sofa mass are enough, if the camera is readable.
Eye height in the source is eye height in the still.
A wall drawn crooked on purpose stays crooked.
Doors and windows keep the size the source already shows.
The sofa block is polished, not replaced with a new plan.
Watercolor or a night finish can change the surface. It cannot move the lens.
The source
You do not need a styled room. A builder snapshot or a few pencil lines of an interior are enough, as long as the camera and the corners are readable. This page does not start from a written wish.
Camera
A presentation still does not rise to a mezzanine or drop to the floor to flatter the room. If the phone was at eye height in the corner, the still is that corner at eye height.
Geometry
Polish can clarify material and shadow. It cannot slide a window, straighten a wall you drew crooked on purpose, or replace the sofa mass with a different plan.
Either a plain interior photograph or a rough sketch is the source. A mood sentence is not.
Height, corner, and direction of view match the source frame.
Perspective stays. A still does not secretly correct the room into a wider one.
Doors and windows keep the position and size the source already shows.
Sofa, table, and cabinet blocks stay where the photo or the sketch put them.
The still is for showing the view you brought. A new layout is a different page.
One plain photo or one sketch. Cropping later is not a new camera.
Say which walls, openings, and furniture masses must survive the polish.
If the lens moved, it is not a render of the view you brought.
An elevation, a section, and a restyle of a finished room each keep different things.
A still
A render turns a plain photograph or a rough interior sketch into a presentation still. The camera and the geometry stay. This page does not pick a new sofa, move a wall, or set a style for the house. It makes the drawing you already trust easier to read.
People confuse a render with a redesign because both can look finished. The test is the linework. If the window moved, the jamb thickened, or a pier appeared, you did not get a render. You got a different design wearing the same camera.
Sketches need enough geometry to polish: openings, a floor line, the big furniture masses. A scribble of a mood is a brief, and it belongs on the room generator. A photograph that needs a new life belongs on room design. This page is the last step, not the first.
Lens height and crop are part of the drawing. A prettier angle is a different photograph.
Edges, openings, and levels stay. Materials may clarify. They may not relocate the architecture.
Rough is allowed. Empty is not. If the sketch has no openings, there is nothing to render.
A still for a meeting is not a sheet. Drawing export makes the drafted page. This page makes the picture.
The links below are the neighboring jobs. Each one keeps a promise this page does not make.
Drawing export drafts a sheet from a plan, elevation, or section. A polished still is not that sheet.
Room design is allowed to change the furnishing. Do that before you render, not during.
Workbench edits a region of a picture you already like. A render polishes the whole still.
What may be polished when the camera height and the geometry are not allowed to move.
Yes. A rough interior sketch is a valid source, as long as the camera and the geometry in the sketch stay in the still.
Yes. A plain photo does not need to be styled first. The still keeps that camera and those wall angles.
No. Camera height and direction stay with the source. A prettier viewpoint is a different photograph.
No. Geometry stays, including a wall you meant to be skewed. Correct the sketch if the angle is a mistake.
No. Masses stay where the photo or the sketch put them. Changing the plan is room design or a new sketch.
No. Elevations and sections have their own pages. This still is the view from the camera you already used.
Yes. Upload the photo or the sketch, choose the finish, and generate. Judge the picture against the camera and the geometry you brought.
Phone photo or pencil sketch. The presentation still is that frame, with the camera and the geometry left alone.